No Weapon Shall Form Against

by Beneath

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1.
2.
3.
"f- it up!" 00:52
4.
5.
6.
7.
8.
9.
"nope!" 02:41
10.
11.
12.
13.
14.
15.
"amica" 02:39
16.
"shelltoes" 02:41
17.
"Bazaar2" 02:14
18.
19.
20.
21.
22.
23.
24.
"Imperial" 03:22
25.
"riot saga" 02:41
26.
27.
28.
29.
30.

about

"Commonly referred to as, "Friday the 13th", there are many people who're in belief of this day to yield an unfortunate regard. Whether it had been for the estranged "black cat" theory, or for the superstition in surround of American pop-culture films, these Friday's which land on the thirteenth days of months are generally thought of as unlucky, or even spent in avoidance. In the life of myself, these days hadn't particularly yielded in such a regard. Instead of placing ourselves on the tail-end of said beliefs, we strive to stride strengthened, absent of a fearful mind(s). Hence the release of "Invisible to Others", budding instrumentalist, known as DJ Tony Buck$, introduces his first actual beat-tape, which asides amongst the experimental genre known as Beneath, since.

Within highlighted productions, such as "shelltoes", or even the beat that is titled, "riot saga", you can hear the producer's spin of interest. In similarity to the earlier iconic works of Def Jam, to even the classic Rick Rubin-styled lead sample rifts that have fueled the renowned era of legendary musician-based groups, Run D-M-C & The Beastie Boys, DJ Tony Buck$ provides his inclusion anew. We've found this to appear positively because whilst you are in dealings as a creative, being granted the opportunity to shed credit feels decent. Fortunately, I'd been able to attend our city-wide occurence of what is known as, "Broccoli City Festival (BCF)", where sprouting artists such as, Summer Walker, were of attendance. As had been feeling inspired then, I took the initiative to run sample-based flip(s) of herself, as reflected in the track titled "communication/trust" and I'd also even gotten to begin listening to another young lady, Kiana Ledé, who expresses herslef respectively.

Artistically, the cover-art displays a mis-matched representation of a surrounding idea, in which the artist reaches an impenetrable status. Hence the title, "No Weapon Shall Form Against", each weapon intentionally renders unviewable.The larger image, which seemingly overlays amongst the title's text and background color, is of a sorceror's sword.. we believe that the hidden agendas of falsified individuals (sorcerors, sorceresses) are implausible. Secondly through out the mash-up, there is a sillouhette of a man holding a gavel.. we believe that prominent individuals are often targeted ineffectively by our Justice's reform, especially Blacks.. so, in this case.. when you see the picture of the man holding a gavel, in rendered unviewability, it represents the concept of weaponized impractibility through out the court of law (sample clearance(s), etc.). Lastly, towards the above-right, you'll see a broken vector image of a machine-gun rifle.. we believe that the inconsistencies involving unnecessary gun violence are out of our control."

- DJTB$

track01 - "recording.."
track02 - "six grand to cop"
track03 - "f- it up!"
track04 - "strange pestilence"
track05 - "gauntlet, iz ah comin'! (one for Rapha)
track06 - "doin' tha thang"
track07 - ".25 ACP ft. DMX & Sheek Louch"
track08 - "stealth theme"
track09 - "nope!"
track10 - "whateva interlude"
track11 - "diffrn't strokes"
track12 - "yaaaaa (*yells*2)"
track13 - "clean operation"
track14 - "smell the waigyu"
track15 - "amica"
track16 - "shelltoes"
track17 - "Bazaar2"
track18 - "complete yo delf"
track19 - "keep kryllz low"
track20 - "scary movies"
track21 - "Ricky's Theme 2"
track22 - "Kundalini, as an Observable Universe"
track23 - "..despite, her precious rebuttles"
track24 - "Imperial"
track25 - "riot saga"
track26 - "planet elsewhere (state of Scarlett)"
track27 - "vacancy (vegetable)"
track28 - "stay paid foreva"
track29 - "communication/trust"
track30 - "Blood 'N Blood Out (SFB Tribute)"

DJ Tony Buck$ - No Weapon Shall Form Against
(sp-303, cassette)

© 2022 Beneath All Rights Reserved

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released May 13, 2022

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Beneath Washington, D.C.

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